How does the world end? When it is in the hands of the cinematic master of human misery, dark Danish auteur Lars von Trier, as it is in "Melancholia," it ends in extraordinary, horrific, searing, aching and unthinkable ways. It is his most hopeful film yet. Still firmly rooted in the filmmaker's esoteric, frustrating, provoking, demanding narrative style, the movie is also amazingly romantic — lush, ripe, rich, delicious. Its apocalyptic vision is encouraging in its hopelessness; its star, Kirsten Dunst, luminous in her anguish and devastation. Excessive in every way, and yet restrained. Everything and nothing that you'd expect a film called "Melancholia" to be. By Betsy Sharkey, Los Angeles Times Film CriticNovember 11, 2011
via www.latimes.com
[ the finest film of 2011 ... Oscar is a dog ]
