by Catherine Schofield Sezgin
In one of ARCA’s three scholarly responses to David Grann’s “The Mark of a Masterpiece,” published in The New Yorker in July 2010, Simon A. Cole penned an editorial essay, “Connoisseurship All the Way Down: Art Authentication, Forgery, Fingerprint Identification, Expert Knowledge” in the fourth issue of The Journal of Art Crime (Fall 2010).
Simon A. Cole is Associate Professor & Chair of the Department of Criminology, Law, and Society at the University of California, Irvine. He is the author of Suspect Identities: A History of Fingerprinting and Criminal Identification (Harvard University Press, 2001) and Truth Machine: The Contentious History of DNA Fingerprinting (University of Chicago Press, 2008, with Michael Lynch, Ruth McNally & Kathleen Jourdan). His work has been published in numerous criminology journals, Art Journal, and Suspect (MIT Press, 2005), the 10th issue of the design award winning series Alphabet City. He is co-editor of the journal Theoretical Criminology.
